EXHIBITION

CHULAYARNNON SIRIPHOL

Museum of Kirati

11 November 2017–21 January 2018

Museum of Kirati is dedicated to Mom Ratchawong Kirati, the short-lived lover of Sri Burapha’s Behind the Painting’s protagonist, Nopphon. The two are torn apart by their differing age and class, with their love ultimately ending in tragedy. As Nopphon, Chulayarnnon Siriphol transforms the gallery space into a memory palace, bringing Mom Ratchawong Kirati back to life as she lives on through the museum and the belief of its visitors.  The guests of the museum are suspended in the chasm between fiction and reality, where their willingness to consume and cooperate with the fictional narrative fed to them by Siriphol is tested and challenged. The space simultaneously becomes a set for Forget Me Not, the epilogue to Siriphol’s Behind the Painting film being screened in the museum. Though the debut of Museum of Kirati and its source material stands 80 years apart, with the original novel being published after the end of Thailand’s absolute monarchy, Siriphol is still able to draw comparisons between the two eras through his re-imagination of this beloved classic.

Siriphol first exhibited his version of Behind the Painting in MEDIA/ART KITCHEN: The Politics of Humor and Play, a group exhibition at Aomori Contemporary Art Center in 2014, where he was on an artist in residence program.  Museum of Kirati exhibition is a continuation of Siriphol’s body of work inspired by the novel.

SELECTED WORKS

Chulayarnnon Siriphol, Behind the Painting, 2015

Chulayarnnon Siriphol, Behind the Painting, 2015

Chulayarnnon Siriphol, Mitake, 2015

Chulayarnnon Siriphol, Mitake, 2015

VIDEO

ARTIST

Chulayarnnon Siriphol. Photo: Sutthiwat Sangkong

CHULAYARNNON SIRIPHOL

b.1986. Lives in Bangkok, Thailand

Both a filmmaker and an artist, he employs moving images and his body as his main medium. His works are wide and varied in genre, ranging from short film, experimental film, documentary to performance video and video installations. From adaptations of local mythology and science fiction to transformation of analog body to digital spirituality, he questions contemporary issues and political ideology through his own sense of sarcasm.