A ROOM, WHERE THEY ARE COEVALS [PRECISE AT A DIG SITE DOOR] | NAWIN NUTHONG
18.09–31.10.2021
In A room, where they are COEVALs [Precise at a dig site door], Nuthong delves deeper into the ‘Threshold’ – gateways leading to the coalescing of multiple realities and hyper-realities – conceptualized by the artist. The presentation emerges from an imagined conversation between Nico Robin, the archaeologist from Eiichiro Oda’s One Piece manga, and the two guardian lions that accompany Sagat in the Street Fighter video game series. In this narrative populated by pop-culture characters, Nuthong blends reality and fiction in his examination of the establishment of Rattanakosin kingdom in 1782 and his speculative reconstruction of grand narratives of the past.
Through the online VIEWING ROOM, Nuthong proposes new avenues of interrogating and understanding the world, especially through the realm of media archaeology. Paying particular attention to ideas of scale and distance within the simulacrum, his examination of these basic concepts of measurement in a media-mediated contemporary world unravel larger questions pertaining to global value exchange systems and the very basis of accounting for value itself.
The Dangerous Future on a Fracture Mechanics | PODCHARAKRIT TO-IM
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ABOUT THE ARTIST
NAWIN NUTHONG
b. 1993, Bangkok, Thailand
Lives and works in Bangkok
Nawin Nuthong is a Thai contemporary artist and curator exploring the connections between history and cultural media through a wide range of mediums. Melding myths and legends with pop-cultural references from video games, comics, and film, he examines the role technology has to play in reconfiguring the learning and understanding of history. He is a graduate from King Mongkut’s Institute of Technology Ladkrabang with a major in film studies and digital media. In addition to his art practice, exhibitions he has curated include PLATOEXPECTONUM (2017), This nor Mundane, The Mystery Shack 999 (2018), as well as MAPPA (2019). Nuthong is also presently one of the managing members of Bangkok’s iconic independent art space, Speedy Grandma.
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The Dangerous Future on a Fracture mechanics: the Daimoni of presence, an approach to understanding the chaos and the coevalness (TH) | PODCHARAKRIT TO-IM